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Margaret Morris (dancer)
Margaret Morris (1891 in Kensington, London, England – 29 February 1980 in Glasgow, Scotland) was a British dancer, choreographer and teacher. She was the first proponent of the Isadora Duncan technique in Great Britain. She founded the Margaret Morris Movement, Celtic Ballet, and two Scottish National Ballets in Glasgow (1947) and in Pitlochry (1960).〔(【引用サイトリンク】Margaret Morris )〕
== Early life ==
Although Morris was born in London, she lived with her parents until the age of five in France. She had no formal academic education, but went to dancing classes. In 1894 she began reciting professionally in French and later in English, at parties, smoking concerts and court drawing rooms. In 1899 she had her first stage engagement in pantomime - ''Little Red Riding Hood'' at the Theatre Royal, Plymouth, playing First Fairy 'Twinkle Star' with solo dances and recitations before a front drop.
In 1900 she joined the Ben Greet Shakespearian Company and played 'Puck' in ''A Midsummer Night's Dream'' in the Royal Botanic Gardens, Kew. She remained with the company for three years, acting and dancing. In 1903 she played child parts in Drury Lane melodramas and in ''The Water Babies'' at The Garrick Theatre. Between tours she studied dancing with John D'Auban, ballet master at Drury Lane. She began to compose dances of her own and at the age of twelve reacted against the limitation of the Italian classical ballet technique. She began creating more natural exercises but realised also that a basic training was necessary. In 1907 she joined the Benson Shakespearian Company as 'Ingenue Principal Dancer' and understudy to Lady Benson.
In 1909 Morris met Raymond Duncan, the brother of Isadora Duncan, who taught her the six Classical Greek dance positions. She adapted and used these as the basis of her own system of movement. In 1910 she choreographed the dances for Gluck's ''Orpheus and Eurydice'' which was staged by Marie Brema at the Savoy Theatre in London. She trained the dancers in her new technique for a month before rehearsals. She also designed the costumes and decor. The Daily Express said "The triumph of the production is Miss Morris's ''Dance of the Furies'', nothing like it has ever been seen on the London stage". That year she also played Water in ''The Blue Bird'' by Maeterlinck at the Haymarket Theatre. She also produced the dances for Sir Herbert Tree's production of ''Henry VIII''.
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